It Seems to me (Edm 2)
It seems to
me he’s equal to the gods, the
man
who sits within the scope of your sweet voice
and
of your laughter, which stirs the heart within my breast
man
who sits within the scope of your sweet voice
and
of your laughter, which stirs the heart within my breast
Seeing you
like this,
even for a second,
stops the sighs
within me.
even for a second,
stops the sighs
within me.
Yet my tongue
freezes
and
beneath my skin a fire rages
and…
my eyes are empty but
my ears are full.
freezes
and
beneath my skin a fire rages
and…
my eyes are empty but
my ears are full.
A torrent of
sweat
and
a wild tremor
overwhelm me
and,
and
a wild tremor
overwhelm me
and,
I’ve turned
the colour of drying grass
just before death.
just before death.
Preliminary to the close figurative analysis
we are required to interact with the title, although ambiguous; the vagueness
of the title sets the urgent tonality for the poem to discover what the author was
referring to. The reader can speculate that throughout the poem the thesis will
clarify the title’s intention; ergo removing the poem from its cryptic tonality
into a clear bridge between the title and the content thus identifying what Sappho
thesis. However, the figure of lust emerges with all its complications:
jealousy, anxiety, and health deterioration.
Sappho opens up the with simile of a man
that is like deity, the creator and ruler of the universe and source of all
moral authority; the supreme being, a deity. She observes the divinity sitting
within the scope of someone’s sweet
voice. From the first line we can glean she yearns to be as close as voice can travel
before being carried away from the wind. In hopes of hearing the laughter. The happiness
she observers through the exchange of dialogue between both people “stirs the
heart within [her] breast.” This metaphor indicates to the reader that she is
moved by the happiness the “godly man” brings to what we can infer is a woman.
However here the figure of lust emerges. Sappho
notes that seeing her in such bliss even merely a second stops the sighs within
her. Although implicit at first the stopping of “sighs” is in fact an allegory that
because of the magnitude of Sappho’s lust the stopping of sigh could only come
with the stopping of breathing. This is explained in the third stanza where Sappho
says her tongue freezes and beneath her skin a fire rages. This metaphor is
twofold, one it leads us to infer that the jealousy and anxiety made Sappho livid,
but by the same token it caused damaging visceral responses of the body when
there is lack of oxygen. This is further supported with: “my eyes are empty but
my ears are full.” Now being in an unconscious state not being able to see trouble
could be brewing for the man speaking to Sappho’s precious love because her eyes
were now “empty” meaning they saw nonentity and would not recognize any thing action
they might have committed. Because she was guided by her “full” ears, in other
word only by what she was hearing, implying that she was listening to their conversations.
Again one of the seven deadly sins and
the figure of lust reappears with its health deterioration. Remembering that
the lack of breath caused by what was seen caused Sappho’s to go unconscious. She
hyperbolizes how much she sweated along with and how violently she shook that
it overwhelmed her and made her faint as a result of the lack of oxygen. In her
last stanza she recognizes that she has neared death and describes how without oxygen
she has turned the same color as dying grass, that is to say pale, without oxygen
in the blood flow. She compares living without her love to her living without oxygen.
All this links back to the title “It Seem to
me”—because in the love triangle that Sappho finds herself in; the figure of
lust and the godly man that Sappho’s mentions doesn’t allow her to open her
mouth because the relationships she is interested in pursuing is being denied
by a “godly man” that bring her love happiness. The fact that her tongue
freezes, and she faints is because of the lack of oxygen. In a sense she wants
to go purse her love; we can Sappho tried to overcome this godly man with “empty
eyes” however since she still was full of hearing she had to hear the divine, and
with the divine we have the associate of heterosexual relationships. It could
have been divine intervention or mere health problems. Nonetheless the figure
of lust along with the jealousy, anxiety, and health deteriorations that it
entailed was the fall of Sappho. It seemed to Sappho this relationship was possible,
but in the end we still do not know.
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